cover or album duran duran a view to a kill

#Cover or album duran duran a view to a kill movie#

Later, it appears on more stately, but still ominous, brasses in the heraldic “Airship to Silicon Valley”, before conveying a sense of chilly disconnect in the menacing “Bond Underwater”. In “Pegasus’ Stable” it is arranged for bass flute and, eventually, the familiar ticking woodblock that Barry often utilized to convey tension and stealth. A sinister-sounding three-note motif, it insidiously inserts itself into several cues during the album’s middle section, cleverly illustrating how Zorin is pulling all the strings of the plot, even when he’s not present in the proceedings. The other main theme in the score is the one for Max Zorin and his companies, Zorin Industries and Pegasus Stables. “Bond Meets Stacey” introduces the theme on warm horns accentuated by lilting flutes, before transferring to a piccolo, while “Wine With Stacey” is a delicate, enchanting duet for flute and harp, with a soft string wash to further illustrate the romance in their relationship.

#Cover or album duran duran a view to a kill movie#

The song reached #1 in the charts in 11 countries, including the United States, and was nominated for a Golden Globe Award for Best Original Song, but lost to Lionel Richie’s “Say You Say Me” from the movie White Nights.īarry turns the main melody of the song into the love theme for James and Stacy, and gives it several gorgeous variations in the score proper. “A View to a Kill” has always been one of my all-time favorite Bond songs I was a big fan of Duran Duran’s mainstream chart music at the time, and the combination of their infectious guitar/synth rhythms and poetic lyrics with Barry’s purposeful orchestral backing makes it a winner all the way.

The centerpiece of any James Bond soundtrack – the classic ones, at least – is the song, which on this occasion was written and performed by the massively popular and successful English rock/pop band Duran Duran, with Barry providing the orchestral arrangements. However, it’s worth pointing out that a John Barry James Bond score on auto-pilot is still better than a large number of other action/thriller scores of the period, and this proves to be the case here: with its fully orchestral sound, deliciously romantic love theme, deliberately-paced action music, and use of the series’s iconic musical calling cards, A View to a Kill is a thoroughly enjoyable score which will appeal to fans of the genre. Having established the sound of the franchise via scores like From Russia With Love, Goldfinger, and On Her Majesty’s Secret Service years previously, there was a solid template to work from, and A View to a Kill follows that template almost to a tee. With so much Bond history behind him, John Barry was very much in “auto-pilot” mode for A View to a Kill. The film was directed by John Glen, co-stars Patrick Macnee and singer Grace Jones, and has an original score by John Barry, the tenth of his eleven works in the series. Bond is assisted in his assignment by wealthy geologist Stacey Sutton, played by Tanya Roberts, who helps uncover Zorin’s dastardly plan after he tries to strong-arm her into selling her family’s oil company, and there is the usual cast of supporting characters, evil henchmen, beautiful women, and ingenious gadgets. In this wide ranging story which spans the globe from Siberia to Paris to San Francisco, Bond locks horns with the psychopathic industrialist Max Zorin, played by Christopher Walken, who hatches a plan to destroy Silicon Valley in order to gain a monopoly in the worldwide microchip market. †This track's title was misprinted as 'May Day Jumpers' on the 2003 edition.A View to a Kill is the fourteenth official film in the James Bond canon, and the seventh and last to star Roger Moore as the fictional British secret agent.

'End Title - A View to a Kill' – Performed by Duran Duran (2:01).

'Wine With Stacey - A View to a Kill' (1:52).

'Bond Meets Stacey - A View to a Kill' (2:29).

' A View to a Kill' – Performed by Duran Duran (3:32).

The song was the last track that the original five members of Duran Duran recorded together until 2001.ĭuring the opening teaser, a cover version of the 1965 Beach Boys song California Girls, performed by Gidea Park, is used during a chase in which Bond snowboards in the pre-title sequence.

Although the movie underperformed commercially, 'A View to a Kill' is considered the most successful Bond theme to date. The theme tune 'A View to a Kill', performed by Duran Duran, was written by Duran Duran and John Barry and peaked at #1 and #2 in the US and UK charts respectively.